References and links


Thoresen, L. 1985a. Auditive Analysis of Musical Structures. In A Summary of Analytical Terms, Graphical Signs and Definitions. Proceedings from the ICEM Conference on Electroacoustic Music. Stockholm, Sweden, 25–27 September.

Thoresen, L. 1985b. Un model d’analyse auditive. Analyse Musicale 1: 44–59.

Thoresen, L. 1987. An Auditive Analysis of Schubert’s Piano Sonata Op. 42. Semiotica, 66(1–3): 211–37.

Thoresen, L. 1996. Flerskiktighet i Olav Anton Thommessens orkestermusikk. In Olav Anton Thommessen, Inspirator, Tradisjonsbærer, Rabulist. Oslo. Norsk Musikforlag, 153–77.

Thoresen, L. 2007a. Form-building Transformations: An Approach to the Aural Analysis of Emergent Musical Forms. Journal of Music and Meaning 4; section 3.

Thoresen, L. 2007b. With the assistance of Andreas Hedman. Spectromorphological Analysis of Sound-Objects: An Adaptation of Pierre Schaeffer’s Typomorphology. Organised Sound, 12(2): 129–41.

Thoresen, L. 2009. With the assistance of Andreas Hedman. Sound-Objects and Form-Building Gestalts in Åke Parmerud’s ‘Les objets obscurs’. Organised Sound, 14(3): 310–20.

Thoresen, L. 2010. With the assistance of Andreas Hedman. Form-Building Gestalts and Metaphorical Meaning. Organised Sound, 15(2): 82–95.

Thoresen, L. 2012. Exosemantic analysis of music-as heard.

Thoresen, L. 2016. Analyse perceptive des formes emergentes. Une approche gestaltiste de l’analyse musicale. Musiques Électroacoustiques Analyses ↔ Écoutes: 87-108. Éditions Delatour France.

Thoresen, L. 2020. Ørets ettertanke – reflektert lytting.